Award-winning Malian singer, songwriter and multi-instrumentalist Rokia Traoré named as the eleventh Brighton Festival Guest Director, following in the footsteps of David Shrigley (2018), Kate Tempest (2017), and Laurie Anderson (2016) amongst others.
Key commissions revealed alongside include the world premiere of a new choral work, Eye to Eye, written and created by theatre-maker Sheila Hill and True Copy, a new multimedia work from international theatre company BERLIN.
Regarded as one of Africa’s most inventive musicians, Malian singer, songwriter and multi-instrumentalist Rokia Traoré is known for the variety and range of her practice. With her work rooted in the Malian musical tradition yet defying the confines of a single culture, Rokia Traoré’s unique sound and liberating style have led her to be described as ‘one of the world’s great synthesisers, combining the rhythms and traditions of diverse cultures from Africa and Europe into a complex sound that only she could create’. (Pitchfork)
Born in Mali to a diplomat father, Rokia had a nomadic upbringing that exposed her to a wide variety of international musical influences from Ella Fitzgerald, Billie Holiday and Louis Armstrong, to Wagner, Serge Gainsbourg, and the Rolling Stones. A protégé of the legendary guitarist Ali Farka Touré, Rokia’s breakthrough came in 1997 when she was hailed as the ‘African Revelation’ by Radio France Internationale. Frequently collaborating with world-renowned artists such as Damon Albarn, Devendra Banhart and the Kronos Quartet, Rokia’s diverse output has also included a number of theatre performances, most notably the acclaimed Desdemona by Toni Morrison, a reimagining of Shakespeare’s Othello directed by Peter Sellars. A dedicated humanitarian, in 2009 she set up the Foundation Passerelle in support of emerging artists amidst the social crises in Mali.
On her appointment as Brighton Festival Guest Director Rokia Traoré says: “I knew Brighton Festival and how well organised it is and being part of the team and exchanging ideas about which artists will be performing and why is an interesting experience for me. It is an opportunity to take the time to look at and to think about other artists’ work. These are circumstances you cannot usually create when you are working as an artist, but programming a festival is another experience – you do it from a different angle.”
“I’m excited, curious and enthusiastic about the journey. There are lots of things to learn from the city and the audience and the Festival itself and it’s going to be a very exciting and rich few months spent together.”
Andrew Comben, Chief Executive of Brighton Festival says: “We are delighted to announce Rokia Traoré as our Guest Director for Brighton Festival 2019. She is a remarkable artist who deserves to be recognised for the great breadth and range of her output – from her theatre work with Toni Morrison and Peter Sellars to her musical collaborations with Damon Albarn and the Kronos Quartet. She also has a great preparedness to think beyond her personal practice and engage with and comment upon the world around her – qualities which ideally suit her to the role of Guest Director. I look forward to the engaging, stimulating and eclectic Festival which I have no doubt she will inspire.”
Alongside exclusives, world and UK premieres from a wide range of international, national and local artists and companies, Brighton Festival 2019 will feature the UK premiere of Rokia Traoré’s theatrical and musical project Dream Mandé Djata – a musical monologue structured around the griot tradition of oral history storytelling, interwoven with classical songs of the Mandingo epic history. The Festival programme will also feature appearances from some of Rokia’s favourite Malian artists and musicians including a selection of those backed by the Foundation Passerelle.
Other programme highlights revealed today include Brighton Festival Commission and world premiere of a new choral work about motherhood and childhood created by theatre-maker Sheila Hill, Eye to Eye, featuring an intergenerational chorus of women and children recruited by Glyndebourne and featuring Glyndebourne Youth Opera; and a new commission, True Copy, based on the story of legendary Dutch painter and art forger Geert Jan Jansen by BERLIN, the international theatre company behind former Brighton Festival events Perhaps All the Dragons (2014), Land’s End (2012), and Zvizdal (2016).
This year’s Festival will also see the launch of an extended Children and Young People’s programming strand that will include new partnerships and participatory activities in the run-up to the Festival. These will join returning projects such as the 26 Letters Young People’s Literature events, Adopt an Author and Young City Reads (presented in partnership with Collected Works), the Children’s Parade (produced in partnership with Same Sky), Without Walls, Peacock Poetry Prize, Guest Director’s Guests, and Your Place – free performances and arts activities programmed by and for the communities of Hangleton and East Brighton, delivered in partnership with Brighton People’s Theatre and community steering groups.
Full programme details will be announced on Wednesday 13 February 2019.
Find out more: https://brightonfestival.org/